Director and Co-Founder
Paloma McGregor , originally from St. Croix, is an award-winning artist and organizer living in Harlem. Paloma’s work centers Black voices through collaborative, process-based art-making and organizing. A lover of intersections and alchemy, she develops projects in which communities of geography, practice, and values come together to laugh, make magic and transform. She has created a wide range of work, including a dance through a makeshift fishnet on a Brooklyn rooftop, a structured improvisation for a floating platform in the Bronx River and a devised a multidisciplinary performance work about food justice with three dozen community members and students at UC Berkeley.
Paloma was a 2013‐14 Artist In Residence at NYU’s Hemispheric Institute for Performance and Politics, a 2014-16 Artist In Residence at BAX | Brooklyn Arts Exchange, and is currently a Movement Research Artist in Residence and an Urban Bush Women Choreographic Fellow. Recent support for her work includes grants from MAP Fund, Surdna Foundation, Dance/NYC, NYSCA and Dance/USA Engaging Dance Audiences.
Paloma also facilitates technique, creative process and community engagement workshops around the world. She toured internationally for six years with Urban Bush Women and two years with Liz Lerman/Dance Exchange, and continues to perform in project‐based work, including Skeleton Architecture, with whom she received a 2017 New York Dance and Performance Bessie Award for performance.
Read Paloma’s contribution to “Why I Dance” in Dance Magazine.
Co-Founder Patricia McGregor has twice been profiled by The New York Times for her direction of world premieres. Theatre Includes: Recently Good Grief (Center Theater Group), Hamlet (The Public Theater), Measure for Measure (Old Globe), The Parchaman Hour (The Guthrie), Ugly Lies the Bone (Roundabout), brownsville song (b-side for tray) (Lincoln Center), and Holding It Down (Metropolitan Museum). Other credits include A Raisin in the Sun, The Winter’s Tale, and Spunk (California Shakespeare Theater); Adoration of the Old Woman (INTAR); The House That Will Not Stand (Berkeley Repertory, Yale Repertory); Blood Dazzler (Harlem Stage); Four Electric Ghosts (The Kitchen); Indomitable James Brown (The Apollo) and the world premiere of Hurt Village (Signature Theatre Company). She served as Associate Director of Fela! on Broadway. For many years she has directed The 24 Hour Plays on Broadway. Training: Attended the Yale School of Drama, where she was a Paul & Daisy Soros Fellow and Artistic Director of the Yale Cabaret.
Founded by A. Nia Austin-Edwards, PURPOSE Productions works with individuals and institutions to collaboratively bring visions to fruition through marketing, management, support with children, and more. Named after the Swahili translation of her own name (Nia), PURPOSE Productions grounds itself in the principles of Kwanzaa, an African-American holiday celebrating the fruits of ancestral, communal, and individual labor.
Since 2013, PURPOSE Producations has supported dance artists such as Adia Tamar Whitaker and Marjani Forte-Saunders, theater artists such as Ella Turenne and Latonia Phipps, organizations such as 651 ARTS and Cumbe: Center for African and Diaspora Dance, and initiatives such as Paloma McGregor’s Dancing While Black and Camille A. Brown’s The Gathering, among others. Their work is rooted in an Africanist aesthetic and anti-captalist value system, and their community represents diverse cultures, genres, and experiences. While Kwanzaa focuses on the African-American community, PURPOSE Productions supports and engages a world community joined by the common thread of humanity.
As a longstanding Angela's Pulse partner, PURPOSE Productions provides three team members to support the organization's visions and projects.
A. Nia Austin-Edwards
Visioning Partner and Strategic Collaborator
Nia is the Founder of PURPOSE Productions and works as a cultivator, emancipator, and oracle (CEO) who is committed to the liberation of all people.
Team Guide and Marketing Manager
Jessica is an organizer, dancer and teaching artist.
Project Manager for Dancing While Black
Liz is a shape shifter, mover and shaker.
Project Manager for Building a Better Fishtrap / from the river's mouth
Erica Saucedo was born in Austin, Texas to Patricia and Edgar Saucedo. She is a movement artist, collaborating with visionaries Paloma McGregor, Johnnie Cruise Mercer, Indah Walsh, and is the co-founder of vis-á-vis dances–alongside partner, Kaitlyn Bishop. Erica serves the world by creating space for processes of reflection and expression, whether through art-making, administrative assistance, or facilitated engagement. She currently works as the Project Manager for Building a Better Fishtrap / from the river’s mouth and is a Community Actionist with Gibney Dance’s youth program, Hands are for Holding.
Project Manager for Jacob's Pillow's Pittsfield Moves!
Matthew Dicken is a non-binary trans femme storyteller, curator, facilitator, and teaching artist. Their perspective as a cultural worker has been deeply informed by the values of Artists Co-Creating Real Equity (ACRE), a multi-racial group of artists and arts workers committed to organizing for racial justice and unified by the principles of the People’s Institute for Survival and Beyond, as well as her role as a solidarity fundraiser with the anti-incarceration work of queer and trans people of color-led grassroots network F2L and non-profit Sylvia Rivera Law Project. As an administrator, she has worked in programming, marketing, & community outreach roles with PURPOSE Productions, Spaceworks, and Dixon Place. Recent collaborative projects have included: Queer Scouts and the TransGenerational Theatre Project (a multigenerational theatre devising workshop for trans & gender non-conforming folx). She conducts interviews with the NYC Trans Oral History Project. Matthew has studied both Hindi and Urdu through the American Institute of Indian Studies (U.S. Department of Education fellowships); during studies in Jaipur and Lucknow, she has written on Indian people’s movements and on a community-based organization of the India HIV/AIDS Alliance’s program for men who have sex with men, transgender, and hijra communities. Their solo performance butyou’reaman or: The Seven Men I Came Out to in India (directed by Arthur Strimling) won an Overall Excellence Award for Solo Performance in The New York International Fringe Festival in August 2015. Follow her (and become a monthly sustainer of F2L) on Instagram @adeles_lil_sis_adelaide.