Paloma’s work centers Black voices through collaborative, process-based art-making and organizing. A lover of intersections and alchemy, she develops projects in which communities of geography, practice, and values come together to laugh, make magic and transform. She has created a wide range of work, including a dance through a makeshift fishnet on a Brooklyn rooftop, a structured improvisation for a floating platform in the Bronx River and a devised a multidisciplinary performance work about food justice with three dozen community members and students at UC Berkeley.
Paloma was a 2013‐14 Artist In Residence at NYU’s Hemispheric Institute for Performance and Politics, a 2014-16 Artist In Residence at BAX | Brooklyn Arts Exchange, and is currently a Movement Research Artist in Residence and an Urban Bush Women Choreographic Fellow. Recent support for her work includes grants from MAP Fund, Surdna Foundation, Dance/NYC, NYSCA and Dance/USA Engaging Dance Audiences.
Paloma also facilitates technique, creative process and community engagement workshops around the world. She toured internationally for six years with Urban Bush Women and two years with Liz Lerman/Dance Exchange, and continues to perform in project‐based work, including Skeleton Architecture, with whom she received a 2017 New York Dance and Performance Bessie Award for performance.
Other directing credits include Holding it Down with Grammy Award Nominee Vijay Iyer and Mike Ladd at Harlem Stage, In the Cypherat the Drilling Company, Girl Shake Loose Her Skin with Sonia Sanchez, Zakiyyah Alexander and Imani Uzuri, Jelly’s Last Jam, Romeo and Juliet, Four Electric Ghosts, Cloud Tectonics, Eleemosynary, The French Play, Lady Day at Emerson’s Bar and Grill, Sidewalk Opera, Dancing in the Dark, The Covering Skyline, In the Meantime.
She has worked at venues including Broadway, NYSF Shakespeare in the Park, BAM, Second Stage, The Public Theater, The Kitchen, The O’Neill, Lincoln Center Institute, Exit Art, and Nuyorican Poetry Cafe. She co-founded Angela’s Pulse with her sister, choreographer Paloma McGregor. Angela’s Pulse creates vital choreoplays and fosters collaboration among artists, educators, organizers, academics and other diverse communities in order to illuminate under told stories, infuse meaning into the audience experience and animate progress through the arts. Patricia attended the Yale School of Drama where she was a Paul and Daisy Soros Fellow and Artistic Director of the Yale Cabaret.